I need some assistance with these assignment. palettes of sight and sound Thank you in advance for the help! Vertigo is considered by many the apex of the Hitchcock canon, a masterpiece of mood and ambiance that eschews traditional elements of narrative and suspense two-thirds through the film in favor of impressionistic representations of vulnerability and death (Cook, 1981). Hitchcock’s predilection for symmetry in form as well as function hovers over the story. “A kindred symmetry of formal elements leading finally to dissonance and dissolution is enacted in Vertigo’s narrative line: in the way its action doubles back upon itself, constructing and deconstructing its own discourse on matters of similarity and

Hitchcock meshes a characteristically taut storyline with suggestive imagery that evokes what Gottlieb and Brookhouse call an “uncanny feel,” the manifestation of a story that hangs just on the edge of believability (2002). Scottie moves within a darkened world, ensnared in a web of diabolical deceit that appears to have no rhyme or reason until revealed late in the story. Scottie is a helpless victim of his own vulnerability as well as the machinations of Gavin Elster

and his doppelganger female accomplice. The persistent themes of height and of falling reinforce Scottie’s vulnerability and the impression that he is a hapless dupe, a feature that is entirely within the tradition of Hitchcock’s wrongly oppressed or unjustly accused protagonists. Vertigo’s power lies in the feeling of the unknown manifesting itself in the life of a uniquely prone “hero.” In one of the film’s most eerie scenes, Hitchcock takes us to the Redwood forest, symbolic of a mysterious and distant past that lies beyond our ability to fully comprehend.&nbsp. Here, Madeline appears to disappear, wraithlike, leaving us to wonder for a moment if she was simply a product of our imaginations, or of Scottie’s.&nbsp. The ominous music and dark setting leave us feeling, if only briefly, that the story may be completely illusory as we lose sight of Madeline.&nbsp. Hitchcock’s unique visual form immerses us in something that we seem to recognize and yet remains something we can never truly know.

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